Sunburnt, Overstimulated & Full of Culture: Pain in the Arts Takes on Hay Festival and the Week That Wouldn’t End

If there’s one thing the Welsh arts sector does well, it’s intensity — and this week’s episode of Pain in the Arts captures that beautifully chaotic energy. Recorded from the car somewhere between Hay‑on‑Wye and home, broadcaster Chris J Birch and artist‑writer‑editor Jak Rhys Birch deliver a sun‑soaked, overstimulated, caffeine‑fueled roundup of what might be their busiest cultural week of 2026 so far.

From Dawn French to Buffy the Vampire Slayer, from ballet dreams to festival ambitions, Episode 18 is a love letter to Welsh creativity — and a gentle cry for snacks.

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Hay Festival: A Week of Literary Heavyweights and Mild Sunburn

The episode opens with the pair reflecting on their multi‑day pilgrimage to Hay Festival, Wales’ internationally renowned celebration of books, ideas and people who own more linen shirts than is strictly necessary.

Chris’ highlights included:

  • Dawn French in conversation with Richard Coles — warm, sharp, and effortlessly funny.

  • A Writers Room session with Francis Bickmore of Canongate, offering rare insight into the publishing world.

Jak’s picks were equally star‑studded:

  • Hugh Bonneville, bringing charm and gravitas.

  • Danny Robins, whose blend of storytelling and supernatural intrigue always lands.

And on the final day, the pair split up again:

  • Chris saw Ian Hislop, Adrian Edmondson and Ben Elton — a trio of British satire royalty.

  • Jak saw Prue Leith and Alan Davies, both delivering thoughtful, generous conversations.

By the time they hit record in the car, both were slightly sunburnt, slightly dehydrated, and slightly delirious — the perfect recipe for a Pain in the Arts episode.

Cabaret Cardiff: Buffy the Vampire Slayer Takes the Stage

Sunday night brought a sharp tonal shift: Buffy the Vampire Slayer at Cabaret Cardiff.

Camp, chaotic and full of nostalgia, the show proved once again why Cabaret has become one of Cardiff’s most eclectic and consistently surprising creative spaces. From jazz to burlesque to drag to Buffy — the venue continues to champion the kind of grassroots performance that keeps a city’s cultural heart beating.

Sunny Afternoons at the Wales Millennium Centre

Tuesday saw the opening of Sunny Afternoons at the Wales Millennium Centre — a mid‑week musical that brought warmth, wit and a welcome dose of escapism.

The WMC continues to excel at programming work that appeals to a broad demographic, and this production was no exception.

The Most British Bank Holiday Ever

Somewhere between the chaos of Hay and the glamour of Cabaret, the pair squeezed in a bank holiday that can only be described as aggressively British:

  • Garden centre

  • Wandering around the garden

  • Tea

  • More tea

  • Existential dread (implied)

It’s the kind of quiet domesticity that makes the rest of the week’s cultural overload feel even more surreal.

Q&A: AI Art, Digital Creators & Festival Dreams

This week’s listener questions were particularly strong — and particularly relevant to the current creative landscape.

1. How do digital artists differentiate themselves from AI?

Dawn’s question taps into a growing anxiety across the creative industries. Chris and Jak offer practical, reassuring advice:

  • Share process videos

  • Show layers, drafts and time‑lapses

  • Highlight signature quirks

  • Use watermarked process sheets

  • Lean into intention and humanity

Their message is clear: Buyers value human creation — show them the human.

2. Does Wales need more festivals like Hay? And how do you start one?

Isabelle’s question sparks a thoughtful discussion about cultural tourism, rural regeneration and the power of niche programming.

Hay works because of:

  • Longevity

  • Community buy‑in

  • Strong partnerships

  • Clear identity

If you want to start your own festival — especially one centred on singing or ballet — the advice is simple:

  • Start small

  • Define your niche

  • Find partners

  • Secure a venue

  • Pilot before you scale

Every major festival began with a borrowed marquee and a handful of people who believed in it.

The Week Ahead: No Rest for the Creatively Wicked

Despite the chaos of the past eight days, the upcoming week is somehow just as full:

  • The Enormous Crocodile at the New Theatre

  • Feast On Festival

  • A return trip to Hay Festival

  • Waitress at the Wales Millennium Centre

  • Rocky Horror at the New Theatre

If burnout were an art form, Chris and Jak would be shortlisted for the Turner Prize.

A Podcast That Captures the Pulse of Welsh Arts

Episode 18 of Pain in the Arts is everything the podcast does best:

  • Warm, funny, slightly chaotic conversation

  • Genuine insight into Wales’ creative industries

  • Practical advice for artists

  • Celebration of grassroots culture

  • A sense of community and shared experience

Recorded from the car, fuelled by sun, snacks and sheer determination, this episode is a testament to the vibrancy — and occasional absurdity — of Welsh arts.

If you want to understand the creative heartbeat of Wales, Pain in the Arts remains essential listening.

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The Enormous Crocodile snapped its way onto Stage

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Waitress Arrives in Cardiff: Ellie Ruiz Rodriguez on Coming Home, Comedy, and the Chaos of Touring